Une vie de chat (2010)

English Title: A cat in Paris

Country: France

Language: French

Director: Alain Gagnol and Jean-Loup Felicioli

Music: Serge Besset

An animated feature, for a change it is a hand drawn animation movie. What we used to call cartoon when we were kids !! This one is a noir movie, an interesting cartoon noir.

A simple storyline, 4 main characters and a cat – A police detective, her daughter who can’t speak (who eventually does !!), an acrobatic burglar and the cruel villain who murdered the detective’s husband and rendered her daughter mute.

The cat is the detective’s daughters pet and also the burglar’s accomplice / partner in crime. The cat accompanies the burglar every night, one night the young girl follows her pet to stumble upon the villains. The girl listens from the background as the villain’s gang plot to steal the statue of the colossus of Nairobi. The girl is caught eavesdropping by the gang of baddies, the burglar and the cat come to her rescue.

In this entire melee the burglar and the cat get caught by the police for a jewellary heist. They escape from the police to rescue the girl and the baddies are punished.

A superb noir and after a long time computers make way for hand drawn stuff. Most refreshing to see a ‘cartoon’ as opposed to the present day CG based ‘animation’. The background score is another plus for this movie. The other plus for this movie is the distinct lack of violence. It is a noir, yes but there isn’t any violence here.

Don’t miss the opening credit title... It is a dynamic title sequence with the cat hopping across the Parisian landscape as the title zips across the screen.

All the positives said, the statue of the colossus of Nairobi didn't need that long penis. Although the colossus is entitled to his manhood, flashing it in a classy film like this was completely unnecessary.

SuperWatch, a very strong contender for the Academy awards for an animated film.

The Descendants (2011)

Country: USA

Language: English

Actors: George Clooney, Shailene Woodley, Beau Bridges, Judy Greer, Robert Forster

Director: Alexander Payne

A two faced story that is a comedy in one frame and a family drama on the other. Superbly scripted, well-acted out movie that is in the running for this year’s best movie Oscars. I love the way the director opens the movie, with a disclaimer on what we thing Hawaii is and what it actually is.

It tells us the story of a workaholic Honolulu lawyer, Matt King. He is a father of two girls, a 10 & a 17 year old and a comatose wife in a hospital. He is also the trustee of a family holding of 25,000 acres of land in an island of Kauai. The land has to be sold before the trust expires in the next 7 years because of the law of perpetuities.

Matt is faced up with a couple of situations, with the wife in coma he has to take care of his two girls. From being a second hand father to hands on seems to be a tough transition for him, especially with the two problem children he has. With the sale of the trust land also in the materialization stage, he has his hands full.

The doctor’s tell Matt that his wife will never wake-up and because of her living will he has to authorize the hospital to pull the plug, discontinue life support. And he decides that he has to inform about his wife’s state to all her friends & family and get them to visit her for one last time before she dies. To amplify things, he gets to know about his wife’s infidelity from his elder daughter.

He decides to find his wife’s lover, confront him and get him to meet his (Matt’s) wife for one last time. The search complicates things further when he finds that the sale of the estate comes into this equation.

Does Matt get his wife’s lover meet her for one last time ?

How is the sale of the family estate linked to the equation ?

Is the estate sold ?

These are questions that will be answered towards the end of the movie.

George Clooney, what do I say ? Many have said that this is probably his best acting performance. Phew, was that acting ? I didn’t see Clooney at all except in the credit titles. Amazing stuff. Alexander Payne, all the usual clichés that are associated with a director of a good movie is due, to his man. His casting is one of the most important things that get this movie an extra couple of points. And of course every single one of his actors have done justice to their casting. And background score needs another mention, I loved the Hawaiian flavor.

Surely a best movie award material. I would only be surprised if this movie doesn’t win any Oscars, has to win at least a couple (hopefully).

A sure SuperWatch !!

Rashomon and other stories (1952)

Paperback

Language: English (Original in Japanese)

Author: Ryūnosuke Akutagawa

Translator: Takashi Kojima

Few of us would know Ryūnosuke Akutagawa as the man who wrote Rashomon. A story immortalized on silver screen by Akira Kurosawa.

For the majority of us who don't bother to see credit titles, Akutagawa is a legend of Japanese literature, he is called the "Father of Japanese short story". He has a premier Japanese literary award named after him. A legend who lived in the late 1800’s and committed suicide 35 years later.

This book has 6 stories. The first two are the ones which Kurosawa made as Rashomon, In a groove and Rashomon. Every line of these two short stories you read brings before you Kurosawa’s movie, frame by frame. At the end of it you are confused if you want to praise the literary brilliance of Akutagawa or the faithful adaptation Kurosawa gave us (which by itself is an amazingly great movie).

Yam Gruel, the next story has some good humour in it. It is about a low ranking Samurai waiting for an opportunity to have his favorite yam gruel. And it has what you can call, a moral of the story. The next story “The Martyr” is a story about an orphan raised by Jesuit priests. “Kesa & Morito” , the next story is told in the form of a monologue of Morito and then Kesa. It is a story of a man who has to kill someone at the behest of his lover, whom he doesn’t love.

The last story, “The Dragon” is the story of a priest who by spreading a rumour about a dragon wants to go one up with his fellow priests because they make fun of his large nose. The story reminds one of the famous NFDC (India) animated promo against rumour from the late 1980’s.

The stories showcase how humans react when they come face to face with lust, greed, poverty etc. A special mention should go to Takashi Kojima, the translator of the stories. Amazingly written, super dooper read.

Most recommended.

Marina (2012)

Country: India

Actors: Siva Karthikeyan, Oviya, ‘Pakoda’ Pandian, Sundararajan, ‘Jithan’ Mohan

Director: Pandiraj

This film has a documentary feel to it (in bits and pieces). The hero of the movie is the Marina Beach of Chennai, the second longest beach in the world. The movie is complete with the inhabitants of the beach – Beggars, love birds – illicit & otherwise, children hawking things, joggers, petrol thieves, singers & dancers and of course the police.

The movie opens with a young boy landing in Chennai to make his fortune. He lands up in the Marina Beach selling water packets. Then you see the boy making friends, friends with fellow hawkers, beggers, guys who rent horses and a guy who comes to the beach with his love interest. As the director documents the life and times of the people in the beach we are suddenly distracted as police comes in search of one of the boy hawkers. And then comes the usual trivialization of things that happens in Tamil movies – Why, what, how and all that.

You could dissect the movie into 5 segments – (1) The boy hawkers (2) The young couple in love (3) The old man / begger (4)The police men / trivialization (5) Others: Including the Postman, singer father & dancing daughter and the moral of the story. All but the policemen segment lend to the strength of the film.

The music is likable and is not on your face like a normal Tamil movie. For once, the background score plays an important part in a Tamil movie. The actors do well to live their parts without naming names every single actor have delivered a great performance. The script seems tight except for a while when it strays out with the police searching the young hawker episode.

This is what they call a “feel good” movie that delivers a powerful message against child labour in a way you wouldn’t even know what hit you.

Good work by Pandiraj and his team. Had the director clipped that trivial segment it would have made the film a bit tighter and shorter by a deserved 15 minutes (and may be a SuperWatch).

A good watch !!